Society
This body of work is my most recent. Prior to that, I didn’t consider my work to be political or polemical in any way. Ironically, I am a very opinionated person but somehow I didn’t really feel that this was the place to express it and as a consequence most of my career has focused on creating beautiful and strong imagery for people to enjoy, including myself. I was developing my craft, refining my style and growing as a person. Some might say that there was always something deeper, an invisible voice behind all the strong and powerful women I portrayed, and they might be right, but it wasn’t something that I did consciously.
The Crown
Netflix, 2023
Poster illustration
Start your engines
Arab News, 2018
Editorial cover
Symphonie au balcon
Vogue Spain, 2020
Editorial cover
Formation
The New Yorker, 2018
Editorial illustration
Viva Van Gogh
Metropolitan, 2018
Editorial cover
Moonlight
Little white lies, 2020
Poster illustration
BAFTA
BAFTA, 2015
Editorial cover
Mostly Mozart
Lincoln Center, 2017
Poster illustration
Astronauts
National Geographic, 2021
Editorial illustration
L'envol
Motiva, 2020
Hyprid paper/digital display
